Manifesto update!

I was thinking it would be a good idea to check in on my manifest declarations and see if they still hold. Because I’ve noticed that often when I passionately declare my opinions, I’m talking out of my ass.

For instance – my last manifesto was all about doing it yourself and not fetishizing teachers into gurus and just getting on with it and learning stuff. DARE TO BE A PIECE OF CRAP, I believe I said.

And the example I used was how I was going to learn how to play piano on the old keyboard I found in my basement.

Yeah. Well here’s the thing: as it turns out it’s really HARD to learn piano that way. And I’ve been plunking away every morning for 5-10 minutes and then I go do something else. Which is fine. But it’s become clear to me that I’m never really going to learn piano that way.

So daring to be a piece of crap isn’t the best mantra for me to use if I want to dare to learn piano. Maybe DARE TO GET YOUR ASS IN MOTION AND FIND A TEACHER would be a better one.

Anyway. As for the items in my first manifesto:

- Still don’t want to work for anyone, but my unemployment runs out in a month or so and with it my noble intentions. I’m hoping I can hold out for a boss who isn’t insane.

- Still think we shouldn’t make excuses for Roman Polanski just because he’s a great artist. Though I have to admit I’ve moved a little into Michael Jackson territory with Roman: I’m not making excuses for his appalling behavior, but I can’t help feeling sorry for him. I don’t know if this makes me a good empathetic humanist or a bad feminist. Or both?

- Still love beets with every fiber of my being. In fact: I have developed a variation on my beloved Beet Blast: so you’re boiling the beets along with some carrots, celery and onion in a big pot of water, right? Well after 45 minutes you can remove the beets, chop them up and eat them with the broth! Or by themselves! I always thought they were too mushy after that much boiling but I suddenly realized – hey wait a minute, beets take a long time to cook. So 45 minutes of simmering and you’ve got a beautiful bright red broth, AND beautiful tender beets!

Also speaking of beets (I should have a weekly post devoted solely to beets), I just remembered this opening passage from Jitterbug Perfume which I have always loved, even before I had tasted a beet:

The beet is the most intense of vegetables.

The radish, admittedly, is more feverish, but the fire of the radish is a cold fire, the fire of discontent not of passion. Tomatoes are lusty enough, yet there runs through tomatoes an undercurrent of frivolity. Beets are deadly serious.

- Back to the manifesti: still a cryer. That is never going to change. In fact I’ve been thinking more and more about how useful & cathartic crying can be. Case in point: back in October we were rehearsing Everyone Who Looks Like You two weeks before opening, which is to say we were madly swooping and careening and wheeling in circles. I was trying to write a song based on screaming (oh, I see I’ve mentioned this before) and I’d gone through at least three distinct versions and every time people didn’t quite like it and I was getting more and more frustrated and in the middle of rehearsal I just burst into tears, cried out I’M SORRY THAT’S THE BEST I CAN DO and ran into the bathroom. It was so embarrassing. I stayed in the bathroom for a while, not sure what to do, and then walked back out expecting horrified silence. But instead everyone came up to me one by one and gave me a hug and apologized! And they hadn’t even done anything! Somehow by letting people see I was overwhelmed, we were able to let go of the tension that had built up around that stupid song, and I was able to see that in fact the pressure wasn’t coming from anyone except me (and after that we figured out how to fix the song, so it was a win win all around).

Of course, if I cried every rehearsal, that would be a problem. But once in a while, it’s a good idea to let your feelings roll over you, come what may.

So that’s where I stand. Looks like half of my convictions still hold water, and the rest have run out of steam (to mix my metaphors). Stay tuned for NEW random passionate declarations, coming soon.

Random Manifesto # 2: Dare to be a piece of crap

[NOTE: this manifesto is part of my ever-evolving list of random things I stand for.]

I believe that life is too short to perfect things.

Lots of people say this but actually believe that you should get the right training before attempting to do it yourself. Training is great – but there are so many things that I will never learn if I wait around until I can do it right. So when in doubt, I’m in favor of just doing it.

Take piano. Yes, it would be easier and better to learn if I found a good piano teacher. But it’s cheaper and easier to buy a book of gospel piano chords and dig out the stupid moldy keyboard from the basement and tinker with it while I’m waiting for water to boil.

The point is: it doesn’t matter how you learn, as long as you learn. The point is: why are you learning? So you can DO something with it, right?

I mean, take cooking. You could say, “I won’t cook until I’ve spent a year training with a master chef or with my mythical indigenous grandmother.” Or you could check some cookbooks out from the library and start cooking. I believe it’s better to just start cooking.

Ten years ago when I was first learning about physical theater I came across a lot of people who felt strongly that you needed the right training. An MFA was okay but what you really wanted was to have spent time abroad, preferably learning from a master. And there was a pecking order: oh, you spent a week training with The Royal Shakespeare Company? That’s cool. I just spent six months as Jerzy Grotowski’s personal assistant before he died. Really? Because I spent three months learning bunraku puppetry from monastic ninjas. That kind of thing.

Americans especially love to believe in this idealized master-student relationship, like in kung fu movies. Nobody I met in Europe or Mexico idealized training with Piezn Kozla or Gardzienice or Diego Piñon this way. They knew you’d learn a lot, they knew it was hard and crazy and intense. But it was mainly Americans who seemed to think that mystical certainty would be passed down to you if you spent enough time with the right art star superbeing.

It took me a long time to realize that these people were full of shit. That they were more interested in playing status games than making art or taking a leap or growing as a human being.

I mean, it certainly helps to have a teacher. I’m not saying that if you have a chance to learn from a wise teacher you should pass it up – by all means, sign up, seek it out, travel to the desert to sit at the feet of the master if that’s what your heart is crying out for.

But what bothers me is the fetishizing of teachers and the waiting around for the perfect circumstances for pure, unsullied learning. Here’s the thing: you can spend a year training with an amazing teacher and still be a crappy artist. No matter how, where, with whom you’ve trained, you still have to do the work yourself. What matters is WHAT you learn, and what you DO with it.

Anyway...

At times like this I look to Neil Young for inspiration.

Neil Young has a beautiful voice and he takes risks and his voice wavers, and I love him. He plays with Crazy Horse who is not the most proficient band in the world, but I love their raw clunky power. I love all of his songs even though some of them are duds. If he didn’t take risks and make some duds, then we wouldn’t have some of the most delicate, heartbreaking songs in the world like “Harvest Moon” and “After the Gold Rush."

In fact, one of my favorite albums is Sleeps with Angels and I love it because every other song is beautiful (like "My Heart"), and every other song goes on too long or is too monotone or is just plain crappy. Like, “Piece of Crap." He puts it all out there. He doesn’t polish it or fix it up – and some songs would be better if they’d been edited, but some would have lost their crazy shambolic glory.

So, that’s my manifesto. Especially applicable to recovering perfectionists like myself. Don’t wait until it’s perfect. Don’t wait until you’re ready. Don’t let people talk you out of what fascinates you. Just do it and see what happens. Life is too short to wait for mastery.

Dare to be a piece of crap.

Random Manifesto #1

So this is ironic. I had this whole ongoing list of items for my manifesto, and I was waiting until the perfect time to post it. Then through a series of complicated actions still unbeknownst (doesn't that seem like a fake word?) to me, I just now accidentally erased the entire thing.

So I think that’s a sign. It means – life is too short to effing POLISH your manifesto. Manifestos are not masterpieces. You dash them off and move on to ACTION.

Now that I am forced to start with a clean slate – what do I care about, right now? What will I stand for and what will I not stand for? What items from that list can I even remember? Here goes:

1. No more crazy bosses. No bosses at all. I don’t know how I’m going to make this work but I don’t want another crazy boss.

2. No making excuses for artistic geniuses. Like Roman Polanski. You know what, I’m not even convinced he’s a genius. The Piano was okay. Wait, his movie was The Pianist, right? Not The Piano. Which was in my opinion a terrible film. I would support packing Jane Campion off to prison even if she didn’t rape a child, just to stop her from making more overwrought movies about pianos and people’s fingers getting chopped off and Holly Hunter and Harvey Keitel getting it on. Wasn’t her last movie about Meg Ryan and boxing and weird sex? That sounds like a good premise but I bet it wasn’t.

But we were talking about Roman Polanski. The Pianist was ok but not as great as everyone said it was. And the reason this is on the manifesto is: I don’t care how effing great his films are, doesn’t excuse his actions. His wife was horribly murdered and that is sad, but also not a good excuse for nice-raping* a twelve year old. Sorry.

* nice rape: a term I just made up, to describe a scenario where it’s definitely rape but the guy was super sweet and drove you home afterwards, and maybe had a bitchin’ hot tub and bought your mom a car. In case my sarcasm isn’t reading: this is not a serious term and please do not start using it. God. Now I sound like I’m minimizing rape. Sorry about that.

3. NOT sorry! Goddamn it. No more apologies. You don’t APOLOGIZE in your manifesto.

4. I guess this means I can’t make excuses for Michael Jackson, either. True, they did not prove he was a pedophile, but it doesn’t look good. Especially now that the one kid’s father killed himself. Hm. Well, I’m not making excuses for him personally, but the fact that he may have been a pedophile doesn’t mean I don’t love his music.

5. Beets are a magical food and I don’t know why they have such a blah reputation in the U.S. Boil them in water with onions, carrots, celery and then squeeze in lemon juice and you have a magical, delicious elixir that wards off colds and sore throats.

6. You know what, I’m a cryer. I believe in letting it all out sometimes. Sometimes everything is not okay and the only way to feel better is sit down and feel bad about it and have a good old fashioned cry. All together now: it’s all right to cry. Crying takes the sad out of you. It’s all right to cry – you just might feel better!



So, to sum up my life philosophy as manifested here, right now I stand for crying, Michael Jackson and beets, and I do not stand for Roman Polanski, Jane Campion, apologizing and crazy bosses. Huh.

My "mission statement"

Actually I have this thing where as soon as I write a "mission statement" I divebomb it. It just feels so self help-y and/or corporate and/or self aggrandizing. But I feel like I should communicate with clarity and focus, and so a "mission statement" (I can't even write it without quotes!) it is.

+ I am and always have been a Very Sensitive Person. There are good and bad things that come with being a Very Sensitive Person. Good things: I can get on other people's wavelength easily, I can tell pretty quickly when someone is bad news, I live in a wondrous fairyland of imagination and possibility. Bad things: I cry every other day, and if someone criticizes my hairstyle I take it to heart, wondering if there is something wrong with my sense of style and my character and my humanity. So. I'll be talking a lot about holding onto balance and perspective as a SENSITIVE PERSON IN A COLD HARD WORLD. And I'll try to do this without being too earnest and annoying and self-obsessed.

+ I am interested in contradictions. I want to dig them up, spread them out on a blanket and see what they’re made of. And then maybe place them gently back into the earth to see what grows. And hope that what grows is not a 600-pound turnip/gorilla cause maaaaan I do not want to mess with a turnip/gorilla, I learned that the hard way.

+ I am a performance artist which provides a particular challenge for the sensitive person -- I clearly crave connection with others in the heightened world of live performance, and yet this world provides heightened blows and knockdowns. So I'll be exploring that as well.

+ I'll also throw out random manifestoes, rants and inspirations as I see fit.